• Dorota Weizczorek – Isabel Sampedro and Agustina O’Farrell

    Date posted: May 1, 2006 Author: jolanta

    Dorota Weizczorek

    Isabel Sampedro and Agustina O’Farrell

    “The only rules I am breaking are my own.” said the photographer, Dorota
    Weizczorek as she reflected upon her solo exhibition at the 473 Broadway Gallery,
    April 2003. The reasoning behind her statement may be that she was the subject
    of display: fifteen large self-portraits revealed her in different states of
    mind and expression for this series.

    Intense laughter,
    a dazzled glance, solemn looks…these are some of the moods that were captured
    by the artist’s camera in color and black and white film. The originality
    of the color works was in the use of tungsten lightning that created an orange/reddish
    effect. This studio strategy resulted in a diffusion of the atmosphere, but at
    the same time, careful illumination emphasized the features of the subject to
    such extent that the viewer could actually hear laughing and feel Dorota’s
    eyes staring at them.

    The black and white
    photographs also had a twist. Their natural appearance was obtained by scanning
    and printing the film on a transparency paper. To accentuate the three dimensional
    qualities of this technique, the artist used textured paper as a background and
    added sepia toning to create another layer of affect.

    These different
    techniques not only were subject to an artistic purpose, but they were part of
    a personal challenge: “I never though I would be able to show my self-portrait
    to the public. I believed that it is too personal and I will reveal too much
    about who I really am.” Through this confession, Weizczorek expresses what
    this exhibition meant to her: a chance to present herself to the public without
    hiding the truth.

    Because truth in general” is what she wants to convey through her artwork,
    despite the risk of placing herself in such a vulnerable position, the artist
    becomes the subject. “I also believe than it is much more valuable for me
    as an artist, when my work brings up any kind of emotion. I prefer when the viewer
    hates it rather than nothing to say about it.” That is the way Weizczorek
    navigates the process of creation and exhibition.

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